Pintura Identificación:: 652
Samson and Delilah Sansón y Dalila 1529
Metropolitan Museum of Art, New York 1529 Metropolitan Museo de Bellas Arte, Nueva York. 1472-1553
German
Lucas Cranach Locations
Pintura Identificación:: 2720
Samson and Delilah Sansón y Dalila National Gallery, London Galería Nacional ,Londres Italian
1431-1506
Andrea Mantegna Locations
Pintura Identificación:: 32689
Samson and Delilah Sansón y Delilah 1667-70
Oil on canvas,
134 x 199 cm 1667-70 Petróleo en la lona, 134X 199 cm Dutch Baroque Era Painter, ca.1625-1679
Pintura Identificación:: 39668
Samson and Delilah Sansón y Delilah mk150
c.1628/30
Canvas
146x254cm
la Lona mk150 c.1628/30 146x254cm Dutch
1599-1641
Anthony Van Dyck Locations
Pintura Identificación:: 72337
Samson and Delilah Matthias Stom, Samson and Delilah
1630s
Oil on canvas, 99 x 125 cm
cjr Amersfoort ca.1600-Sicily after 1650
Pintura Identificación:: 77635
Samson and Delilah oil on canvas painting by Rembrandt, 206 x 276 cm 1636
Date 1634(1634)
cyf 1778-1860
Rembrandt Peale Galleries
Pintura Identificación:: 80621
Samson and Delilah Date 1628(1628)
Medium Oil on oak
Dimensions Height: 61 cm (24 in). Width: 50 cm (19.7 in).
cjr Born 1606, Died 1669
Pintura Identificación:: 84117
Samson and Delilah Date ca. 1609(1609)
Medium Oil on wood
Dimensions Height: 185 cm (72.8 in). Width: 205 cm (80.7 in).
cjr Flemish Baroque Era Painter, 1577-1640
Pintura Identificación:: 84358
Samson and Delilah 1609-1610
Medium English: Oil on wood
Dimensions 185 x 205 cm
cyf Flemish Baroque Era Painter, 1577-1640
(November 4, 1592 - April 27, 1656), also known as Gerrit van Honthorst and Gherardo della Notte, was a Dutch painter of Utrecht. He was brought up at the school of Abraham Bloemaert, who exchanged the style of the Franckens for that of the pseudo-Italians at the beginning of the 16th century.
Margareta Maria de Roodere and Her Parents by Gerrit van Honthorst (1652) Oil on canvas, 140 x 170 cm. Centraal Museum, UtrechtInfected thus early with a mania which came to be very general in the Netherlands, Honthorst went to Italy in 1616, where he copied the naturalism and eccentricities of Michelangelo da Caravaggio. Home again about 1620, after acquiring a considerable practice in Rome, he set up a school at Utrecht which flourished exceedingly. Together with his colleague Hendrick ter Brugghen, he represented the so-called Dutch Caravaggisti. In 1623 he was president of his gild at Utrecht, where he had married his cousin. He soon became so fashionable that Sir Dudley Carleton, then English envoy at The Hague, recommended his works to the earl of Arundel and Lord Dorchester. In 1626 he received a visit from Rubens, whom he painted as the honest man sought for and found by Diogenes.
Pintura Identificación:: 96139
Samson and Delilah circa 1615(1615)
Medium oil on canvas
cyf (November 4, 1592 - April 27, 1656), also known as Gerrit van Honthorst and Gherardo della Notte, was a Dutch painter of Utrecht. He was brought up at the school of Abraham Bloemaert, who exchanged the style of the Franckens for that of the pseudo-Italians at the beginning of the 16th century.
Margareta Maria de Roodere and Her Parents by Gerrit van Honthorst (1652) Oil on canvas, 140 x 170 cm. Centraal Museum, UtrechtInfected thus early with a mania which came to be very general in the Netherlands, Honthorst went to Italy in 1616, where he copied the naturalism and eccentricities of Michelangelo da Caravaggio. Home again about 1620, after acquiring a considerable practice in Rome, he set up a school at Utrecht which flourished exceedingly. Together with his colleague Hendrick ter Brugghen, he represented the so-called Dutch Caravaggisti. In 1623 he was president of his gild at Utrecht, where he had married his cousin. He soon became so fashionable that Sir Dudley Carleton, then English envoy at The Hague, recommended his works to the earl of Arundel and Lord Dorchester. In 1626 he received a visit from Rubens, whom he painted as the honest man sought for and found by Diogenes.
(1600 - 28 June 1649) was an Italian painter of the early Baroque period, active in Genoa.
Gioacchino Assereto, David with the Head of Goliath.He initially apprenticed with Luciano Borzone and later Giovanni Andrea Ansaldo. He painted two vault frescoes in the church of Santissima Annunziata del Vastato: David and Abimelech and Santi Giovanni and Pietro healing the lame. He also shows the influence of Bernardo Strozzi, a tenebrism moderated by venetian coloristic effects and garbing the subjects in modern peasant garb, in paintings such as Moses obtaining water from the Rock (Prado Museum, Madrid). Orazio dee Ferrari may have worked with Assereto in Ansaldoes studio.
Paintings by Gioacchino Assereto can also be seen at the Detroit Institute of Art and the Museum of Fine Arts in Budapest,Hungary.
Pintura Identificación:: 98381
Samson and Delilah 1630s
Medium oil on canvas
Dimensions 112 x 162 cm
(1600 - 28 June 1649) was an Italian painter of the early Baroque period, active in Genoa.
Gioacchino Assereto, David with the Head of Goliath.He initially apprenticed with Luciano Borzone and later Giovanni Andrea Ansaldo. He painted two vault frescoes in the church of Santissima Annunziata del Vastato: David and Abimelech and Santi Giovanni and Pietro healing the lame. He also shows the influence of Bernardo Strozzi, a tenebrism moderated by venetian coloristic effects and garbing the subjects in modern peasant garb, in paintings such as Moses obtaining water from the Rock (Prado Museum, Madrid). Orazio dee Ferrari may have worked with Assereto in Ansaldoes studio.
Paintings by Gioacchino Assereto can also be seen at the Detroit Institute of Art and the Museum of Fine Arts in Budapest,Hungary.
Gioacchino Assereto (1600 - 28 June 1649) was an Italian painter of the early Baroque period, active in Genoa.
Gioacchino Assereto, David with the Head of Goliath.He initially apprenticed with Luciano Borzone and later Giovanni Andrea Ansaldo. He painted two vault frescoes in the church of Santissima Annunziata del Vastato: David and Abimelech and Santi Giovanni and Pietro healing the lame. He also shows the influence of Bernardo Strozzi, a tenebrism moderated by venetian coloristic effects and garbing the subjects in modern peasant garb, in paintings such as Moses obtaining water from the Rock (Prado Museum, Madrid). Orazio dee Ferrari may have worked with Assereto in Ansaldoes studio.
Paintings by Gioacchino Assereto can also be seen at the Detroit Institute of Art and the Museum of Fine Arts in Budapest,Hungary.
Samson and Delilah
